禁锢·凝视·话语——印度电影女性形象的嬗变  

Confinement-gaze-discourse:transformation of female image in Indian cinema

作　　者：付静 FU Jing(Public Art and Vocational Skills Teaching and Research Depatment of Zhoukou Normal University,Zhoukou 466001,China)

机构地区：[1]周口师范学院公共艺术与职业技能教研部,河南周口466001

出　　处：《周口师范学院学报》2024年第4期34-38,共5页Journal of Zhoukou Normal University

基　　金：周口师范学院教育改革项目“高校美育‘一主体、两延伸、三平台’的实施模式研究”(J2022010);河南省高等教育教学改革研究与实践项目“大美育观视域下地方高校美育浸润路径探索与实践”(2024SJGLX0461)。

摘　　要：对印度电影中女性形象进行梳理与分析,试图从社会之痛、精神之痛、生存之痛三方面探寻印度女性所面临的家庭、伦理和生存困境,同时从印度新女性所追求的身份转变与女性意识的萌动,结合印度社会独特的历史文化和宗教文化,探析印度电影中关于女性问题的文化反思以及所展现的时代进步。Under the influence of globalisation,religion and women’s issues in Indian cinema have received more and more attention.This paper compiles and analyses the image of women in Indian films,tries to explore the family,ethical and survival dilemmas faced by Indian women in terms of social pains,spiritual pains,and survival pains,and at the same time,from the identity transformation and the sprouting of female consciousness pursued by Indian new women,combined with the unique history and religious culture of the Indian society,it analyses the cultural reflections on women’s issues and the progress of time shown in Indian films progress of the times.

关 键 词：印度电影 女性形象 禁锢 觉醒 

分 类 号：I106.35[文学—世界文学]