在“启蒙”与“救亡”之间——论梁斌短篇小说《姊姊》中的“九一八”叙事  

Between“Enlightenment”and“Salvation”:Narration of“September 18”in Liang Bin's Short Story“Sister”

作　　者：赵牧 李敏 ZHAO Mu;LI Min(School of Liberal Arts,Guangxi University,Nanning,Guangxi 530000 China)

机构地区：[1]广西大学文学院,广西南宁530000

出　　处：《河北民族师范学院学报》2024年第4期76-82,共7页Journal Of Hebei Minzu Normal University

基　　金：2020年度国家社科基金一般项目“现代作家的‘延安道路’及其当代意义研究”(2020BZW183);2023年度广西高校人文社科重点基地重大项目“现代中国革命文学的‘红色基因’及其时代意义研究”(T32100979024)。

摘　　要：《姊姊》是梁斌在20世纪30年代创作的短篇小说。小说聚焦于九一八事变时代背景下若霖一家人的生存图景,以现实主义的笔法,揭露社会存在的种种弊病,展现出了青年梁斌身上强烈的社会问题意识和文人的使命感。梁斌在早期作品中呈现出“启蒙+救亡”的文学观念,小说《姊姊》在揭露战争残酷的同时又对国民性弱点展开批判,但受制于创作技巧的青涩,在一定程度上呈现出主题含混与批判失焦的效果,而其中对于女性困境的讨论又无意间显露出男权中心思想的特征。"Sister"is a short story written by Liang Bin in the 193Os.The novel focuses on the survival picture of Ruolin's family under the background of the September 18 Incident,and exposes various ils in society with realistic writing,showing young Liang Bin's strong awareness of social problems and the sense of mission of the literati.Liang Bin presented the literary concept of"enlightenment and salvation"in his early works.While exposing the cruelty of war,his novel"Sister"criticized the weakness of the national character.However,due to the immature creative skills,it showed the effect of ambiguous theme and out of focus of criticism to a certain extent.And the discussion of women's plight unintentionally reveals the characteristics of male-centered thoughts.

关 键 词：《姊姊》 青年梁斌 启蒙与救亡 女性困境 

分 类 号：I226[文学—中国文学]