比较视野下庐剧女性角色的塑造与创新——与黄梅戏比较  

The Shaping and Innovation of Female Characters in Lu Opera from a Comparative Perspective:Compared with Huangmei Opera

作　　者：王宁馨 黄梅 WANG Ning-xin;HUANG Mei(Department of Public Courses,Anhui Vocational College of National Defense Technology,Lu'an Anhui 237000,China;Academy of Arts,West Anhui University,Lu'an Anhui 237000,China)

机构地区：[1]安徽国防科技职业学院公共课教学部,安徽六安237000 [2]皖西学院艺术学院,安徽六安237012

出　　处：《铜陵学院学报》2024年第5期85-88,99,共5页Journal of Tongling University

基　　金：安徽省青年骨干教师境内访学资助研修项目“民间戏曲艺术宏观视野下的地方戏曲西路庐剧的生存与发展”(JNFX2023165);安徽省高等学校科学研究重大项目“皖西庐剧大别山精神的时代特征与传承研究”(2023AH040341);安徽省人文社科重点项目“课程思政背景下的大学生劳动教育路径研究”(2022AH052510)

摘　　要：庐剧和黄梅戏作为安徽省重要具有鲜明地域特色的戏剧剧种,均于明清时期发展成熟,且都塑造了众多个性鲜明、情感丰富的女性形象。文章在戏曲与女性文化相关研究基础上,对传统庐剧和黄梅戏中女性人物的角色分类、唱腔风格、道服化差异、题材选取等进行了细致的比较研究。在此基础上,分析庐剧中女性形象塑造与表现的基本方式,并总结出黄梅戏对庐剧女性角色塑造发展的几点启示:角色类型可多样化为角色塑造增加更多艺术空间;角色唱腔可丰富化为戏曲表现提供张力;戏曲艺术表现可程式化以促进庐剧艺术的进一步成熟;主题情节可多样化,以拓展审美新群体。Western Lu Opera and Huangmei Opera,as important dramas with distinct regional characteristics in Anhui province,were both roughly produced in the late Ming and early Qing dynasties,and both of them have created a large number of female images with distinct personalities and rich emotions.Based on previous studies on the art of Lu Opera and female culture,this paper makes an appreciation and analysis of traditional Western Lu Opera and Huangmei Opera classics.Based on a detailed comparative study of the role classification,singing style,differences in clothes and props,and subject selection of female characters in traditional Western Lu Opera and Huangmei Opera,this paper analyzes the ways of shaping and mining female images in traditional Western Lu Opera,as well as the reason for a large number of female characters with distinct personalities.In this angle,it is to explore the road of future inheritance and development of Western Lu opera.

关 键 词：庐剧 黄梅戏 女性角色 角色塑造 

分 类 号：J825[艺术—戏剧戏曲]