藏袍结构工艺及其在现代服装设计中的应用  

The Structure Technology of Tibetan Robe and its Application in Modern Garment Design

作　　者：陈玲歆 杨慧[1] CHEN Lingxin;YANG Hui(Beijing Institute of Fashion,Beijing 100020,China)

机构地区：[1]北京服装学院,北京100020

出　　处：《西部皮革》2024年第19期41-43,共3页West Leather

摘　　要：藏袍作为藏族文化的重要载体,不仅展现了藏族人民的生活习俗和审美情趣,更是工艺美学的集中体现。文章深入探讨了藏袍的传统制作工艺及其在现代服装设计中的应用,旨在揭示藏族文化在当代时尚中的创新转化。首先分析了藏袍的传统制作流程,包括选材、织造、染色等关键步骤,以及其独特的结构设计和色彩运用。随后探讨了藏袍元素在现代服装设计中的融合与创新,通过案例分析展示了设计师如何将藏袍的宽松版型、丰富色彩和精美图案与现代审美相结合,创造出既具有民族特色又符合现代潮流的服装作品。最后提出了“高原之韵”系列设计概念,将藏袍的经典元素与现代设计理念相融合,通过创新的款式设计、面料选择和装饰手法,不仅展现了藏族文化在现代时尚中的新生命力,也为传统服饰的现代转化提供了新思路。The Tibetan robe,as a vital embodiment of Tibetan culture,not only reflects the customs and aesthetic sensibilities of the Tibetan people but also serves as a concentrated manifestation of craftsmanship and artistry.This study delves into the traditional production techniques of Tibetan robes and their application in modern fashion design,aiming to unveil the innovative transformation of Tibetan culture within contemporary fashion.It begins with an analysis of the traditional production process of Tibetan robes,encompassing essential steps such as material selection,weaving,and dyeing,alongside their distinctive structural design and color application.Subsequently,the integration and innovation of Tibetan robe elements in modern fashion design are explored.Through case studies,it illustrates how designers blend the loose silhouettes,vibrant colors,and exquisite patterns of Tibetan robes with modern aesthetics,resulting in garments that embody both ethnic characteristics and contemporary trends.Finally,the concept of the"Rhythms of the Plateau"series is proposed,merging classic Tibetan robe elements with modern design principles.This approach showcases Tibetan culture's revitalization in contemporary fashion through innovative styles,fabric choices,and decorative techniques,offering fresh perspectives on the modern reinterpretation of traditional attire.

关 键 词：藏袍 传统工艺 现代服装设计 文化融合 

分 类 号：TS941[轻工技术与工程—服装设计与工程]