14世纪中西服饰文化比较研究  

Comparative Study of Chinese and Western Clothing Culture in the 14th Century

作　　者：吴时雨 宋琦 WU Shiyu;SONG Qi(Guangdong Institute of Technology,Zhaoqing 526000,China)

机构地区：[1]广东理工学院,广东肇庆526000

出　　处：《西部皮革》2024年第19期148-150,共3页West Leather

摘　　要：文章通过比较中国明朝与意大利文艺复兴时期的服饰形态,分析服饰历史背景、色彩和面料等方面的异同,探讨两地服饰文化的特点。研究认为,此时中西方在服饰上对人的个性与精神的诠释其理念是一致的,但在此共同点上因各种因素而变得有差异。明朝服饰重在求“合”,合乎场合顺应天意,崇尚“穿衣之礼”,整体上较为封闭含蓄,但不失端庄雅正;意大利文艺复兴时期服饰重在求“异”,异于他人追求自我,崇尚表露人体曲线美和情感色彩,服饰整体较为开放显露、明艳温暖。This study conducts a comparative analysis of the costume forms of the Ming Dynasty in China and the Italian Renaissance,examining the historical context,colors,and materials of clothing to explore the characteristics of costume traditions in the two regions.The findings suggest that both Eastern and Western cultures shared a common philosophical interpretation of individuality and spirit in clothing,while there are still distinct differences due to various factors.Ming Dynasty attire emphasized harmony,aligning with occasion and adhering to divine principles,upholding the"ritual of dressing"characterized by a somewhat restrained and subtle elegance,yet maintaining a dignified composure.In contrast,Renaissance Italian attire focused on individuality,celebrating self-expression and the beauty of the human form through vibrant,warm colors,and open designs.

关 键 词：服饰设计 明朝 文艺复兴时期 对比研究 

分 类 号：TS941[轻工技术与工程—服装设计与工程]