模件化的十王图像:以《道子墨宝》图册为中心  

Modular Iconography of the Ten Kings:Case study of the Album of Daoist and Buddhist Themes

作　　者：单单 Shan Dan

机构地区：[1]莱斯大学艺术史系,美国休斯顿77005

出　　处：《南京艺术学院学报（美术与设计）》2024年第6期76-82,I0003,共8页Journal of Nanjing University of The Arts:Fine Arts & Design

摘　　要：现藏于美国克利夫兰美术馆的《道子墨宝》图册中,有十四页描绘了与十王主题相关的图像。通过对其重新分类发现这些册页中反复出现并一再被使用的模件元素,可进一步探讨模件运用与图像制作的关系。此外,将该作品与现存其他《十王图》相比较,有助于丰富对十王图像谱系的认识,从而更全面审视其在中国绘画史上的定位。This article examines the Album of Daoist and Buddhist Themes held by the Cleveland Museum of Art,with a focus on the fourteen leaves(27-40)featuring the Ten Kings of Hell.Based on a rigorous reading of the iconography,I propose a re-classification of these leaves,especially paying attention to stock motifs and recurring patterns.These modular elements can be compared with extant Ten Kings Paintings,offering a nuanced understanding of the modular iconography on this subject.By exploring the relationship between modules and workshop practices,this article serves as a preliminary step toward recognizing the significance of the Cleveland album in the history of Chinese art.

关 键 词：《道子墨宝》 十王 模件 宁波佛画 白描 

分 类 号：J20[艺术—美术]