论历史科幻小说《时空画师》中的时空想象  

On the Spatio-Temporal Imagination in the Historical Science Fiction The Space-TimePainter

作　　者：贺思宇 吴述桥 He Siyu;Wu Shuqiao(School of Liberal Arts,Central China Normal University,Wuhan 430079)

机构地区：[1]华中师范大学文学院,武汉430079

出　　处：《科普创作评论》2024年第3期39-47,共9页Science Writing Review

摘　　要：海漄的《时空画师》基于时间空间化的原理,对用空间投射方式实现的时间旅行进行想象,由此展开北宋与当下交叠的时空叙事。《时空画师》所暗含的历史观与新历史主义的主张趋同,对历史时空的想象重新激活了历史科幻小说“民族性”的叙述资源,其内部蕴含的理性祛魅与历史迷思的观念冲突,呈现了中国历史科幻小说民族性问题的张力所在。Based on the principle of spatialization of time,Haiya's The The Space-Time Painter imagines the time travel realized by space projection,thereby unfolding a spatio-temporal narrative where the Northern Song Dynasty overlaps with the present.The historical perspective implied in The Space-Time Painter aligns with the propositions of neo-historicism,and the imaginative portrayal of historical time and space reinvigorates the narrative resources of national identity in historical science fiction.The internal conflict between rational disenchantment and historical myths highlights the tensions surrounding national identity in Chinese historical science fiction.

关 键 词：空间投射 民族性 时空旅行 或然历史 

分 类 号：I206.7[文学—中国文学]