论“辋川二十景”并非人工园林  

Discussion on the Non-artificial Gardens of Twenty Scenic Spots in Wangchuan

作　　者：张效东 ZHANG Xiaodong(Wang Wei Cultural Research Association of Lantian County,Xi'an 710500,Shanxi,China)

机构地区：[1]西安市蓝田县王维文化研究会,陕西蓝田710500

出　　处：《铜仁学院学报》2024年第5期29-37,共9页Journal of Tongren University

摘　　要：将王维《辋川集》《辋川图》描述的景观当作人造园林并进行相关学术研究屡见不鲜,但却对该园林的规模边界、空间结构、功能区域等基本问题无法做出具体、明确的交代和表述。通过对王维诗文等文献资料的研究和对王维诗画文学地理的实地考辨,厘清了“辋川二十景”多为自然山水而非人为建造;《辋川图》是美术创作而非“辋川二十景”写实;王维辋川别业就是普通隐士山居而非豪华楼榭亭台和连片广厦。以《辋川集》《辋川图》为依据,将其所呈现的“辋川二十景”诗画意象假设为王维辋川别业的实体构成,进而得出王维建造了辋川园林的推论是不成立的。It is common to research on the landscapes described in Wang Wei's Wangchuan Collection and Wangchuan Painting as non-artificial gardens.However,there is a lack of specific and clear descriptions and explanations on the basic issues of the scale,the boundary,spatial structure,and functional areas of the garden.Through the study of literature such as Wang Wei's poetry and prose,as well as field research on Wang Wei's works,it has been clarified that the"Twenty Scenic Spots in Wangchuan"are mostly natural landscapes rather than man-made constructions.Wangchuan Painting is an artistic creation rather than a realistic depiction of twenty scenic spots and Wang Wei's villa is just an ordinary hermit's mountain residence,not a luxurious architectural complex.Assuming that the 20 scenic spots in Wangchuan were the composition of entities for Wang Wei's villa,the conclusion for the Wangchuan gardens built by Wang Wei is not true according to the Wangchuan Collection and Wangchuan Painting.

关 键 词：辋川园林 辋川二十景 辋川别业 

分 类 号：G127[文化科学]