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作 者:HE Xiangjun
机构地区:[1]Wuzhou University,Wuzhou,China
出 处:《Cultural and Religious Studies》2024年第10期635-640,共6页文化与宗教研究(英文版)
基 金:supported by the projects:“Research on Classical Poetry and Cultural Identity Education for International Students in China(2023ZJY2071)”;“Research on Establishing Chinese Cultural Symbols and Chinese National Images Shared by All Ethnic Groups”(ZK202410);Wuzhou University Education and Teaching Reform Project“Research on Innovative Teaching Mode and Evaluation of‘Poetry and Ritual Interaction’Under the Background of Skill and Emotional Deficiency(Wyjg2022A033)”;“Research on Improving the Quality of Ancient Literature Curriculum Centered on Student Cognitive Ladder(Wyjg2023B016)”;“Research on Innovative Integration of Information Technology and Ancient Literature Curriculum Under the Goal of New Literature Construction(Wyjg2024A018)”;2022 Chinese Ancient Literature Course Ideological and Political Selection Project of Wuzhou University.
摘 要:This essay endeavors to dispel the lingering misconception that Li Bai,the celebrated Tang Dynasty poet,was a man devoid of propriety.Through a meticulous examination of historical records,literary works,and contemporary interpretations,this study presents a nuanced portrait of Li Bai as a poet who,despite his eccentricities and wanderlust,possessed a profound sense of etiquette and respect for societal norms.This essay argues that his unique personality in life and free expression in poetry are all driven by the need for artistic creation,rather than challenging for ancient propriety.
关 键 词:Li Bai propriety culture rituals Great Preface poetry expresses aspirations
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