“抱石皴”与空间美学——傅抱石中国山水画艺术的双重维度  

On"Baoshi's Brush Stroke Texture Method"and his spatial aesthetics——The dual dimensions of Fu Baoshi's Chinese landscape paintings

作　　者：罗珊 LUO Shan Yu(Zhang Normal University,Nanchang,Jiangxi,330103,China)

机构地区：[1]豫章师范学院,江西南昌330103

出　　处：《豫章师范学院学报》2024年第5期23-27,共5页Journal of Yuzhang Normal University

摘　　要：作为中国近现代山水画界的杰出代表,傅抱石的艺术地位在中国绘画史上无可撼动。傅抱石的山水画不仅在艺术表现力上独树一帜,更在美学价值上开辟了新的领域。他独创的“抱石皴”,以独特的艺术语言和空间美学,为中国山水画注入了新的活力与灵魂,对后世产生了广泛而深远的影响。Fu Baoshi,as an outstanding representative of Chinese modern and contemporary landscape painting,holds an unshakable position in the history of Chinese painting.Fu Baoshi's landscape paintings are not only distinctive in artistic expression,but also pioneer new frontiers in aesthetic value.His unique technique,"Baoshi Cun,"with its distinctive artistic language and spatial aesthetics,has injected new vitality and depth into Chinese landscape painting,exerting a profound and extensive influence.

关 键 词：傅抱石 中国山水画 “抱石皴” 空间美学 

分 类 号：J212[艺术—美术]