身份表征:清代孙温绘全本《红楼梦》的家具与服饰关联性研究  

Identity Representation:A Study on the Relevance between Furniture and Clothing in the Complete Edition of Dream of the Red Chamber Illustrated by Sun Wen in the Qing Dynasty

作　　者：农先文 尹红[1] 容婷 NONG Xianwen;YIN Hong;RONG Ting(Guangxi Arts University,530007 Nanning Guangxi;Nanning College for Vocational Technology,530008 Nanning Guangxi)

机构地区：[1]广西艺术学院,广西南宁530007 [2]南宁职业技术学院,广西南宁530008

出　　处：《设计艺术研究》2024年第5期152-157,162,共7页Design Research

基　　金：2021年度国家社会科学基金艺术学西部项目(21EG215)。

摘　　要：清代孙温绘全本《红楼梦》是孙温及其侄子孙允谟历时36年(1867—1903年)共同完成的230页图册(国家一级文物),是清代家具文化的真实反映。创作者用服饰和家具塑造了丰富的叙事空间,以此二者的关联性为研究重点,采用“图―文―史”相结合的论述方法,尝试从身份表征的角度来探讨家具与服饰的关联性,然后引申出二者塑造的叙事空间可表征的文化身份。尝试从新的角度理解绘本的文化内涵,挖掘绘本传统家居空间艺术的同时,也窥见中华民族的文化身份特征。The complete edition of Dream of the Red Chamber illustrated by Sun Wen and his nephew Sun Yunmo in the Qing Dynasty is a 230 page picture album(a national first-class cultural relic)completed over a period of 36 years(1867-1903),which is a true refection of Qing Dynasty furniture culture,enriching the narrative space composed of clothing and furniture.Therefore,the relevance between the two has become the focus of this study.This article adopts a combination of"picture-text-history"discourse method,attempting to explore the relevance between furniture and clothing from the perspective of identity representation,and then extending the narrative space shaped by the two to represent cultural identity.It attempts to understand the cultural connotations of picture books from a new perspective,exploring traditional home space,while also gaining insight into the characteristics of Chinese cultural identity.

关 键 词：身份表征 孙温绘全本《红楼梦》 家具与服饰 关联性 

分 类 号：J5[艺术—艺术设计]