世界秩序的显影:论幻想类电影的技术想象  

Manifesting World Orders:On the Technological Imagination of Fantasy Films

作　　者：梁君健[1] 黄一洋 Liang Junjian;Huang Yiyang

机构地区：[1]清华大学新闻与传播学院

出　　处：《电影艺术》2024年第6期68-74,共7页Film Art

摘　　要：随着数字技术的发展,一批幻想类电影致力于非现实的技术想象与表征。技术哲学领域的相关讨论提供了一种适用于分析幻想类电影技术想象的秩序模型,可借以探索技术想象构建的基本路径。通过景观缝合和元素拼贴,电影世界形塑了技术宇宙的基本面貌,并借助身体技术的回归重构了技术主体性,最终建构起异质性的世界秩序,以此完成社会隐喻和思维实验。上述讨论旨在唤起对于电影技术想象的关注,并建立一套关于幻想类电影如何展开技术表征的普遍理论。With the advancement of digital technology,a wave of fantasy films has emerged,focusing on non-realistic technological imaginations and representations.Discussions on the philosophy of technology provide an order model suitable for analyzing the technological imagination in fantasy films,which can be used to explore the basic paths of technological imagination construction.Film worlds shape the fundamental aspects of technological universes through landscape stitching and element collage.Through the stitching of landscapes and the collage of elements,the cinema world shapes the basic face of the technological universe and reconstructs technological subjectivity through the return of body technology,ultimately constructing a heterogeneous world order to accomplish social metaphors and thought experiments.These discussions aim to raise awareness of cinematic technological imagination and establish a universal theory on how fantasy films develop technological representations.

关 键 词：幻想类电影 技术想象 技术表征 技术哲学 世界秩序 

分 类 号：J93[艺术—电影电视艺术]