《出走的决心》:一个当代“娜拉”的出走启示录  

Like A Rolling Stone:An Apocalypse of the Exit of a Contemporary"Nora"

作　　者：陈捷[1] Chen Jie

机构地区：[1]南京艺术学院戏剧与影视学院

出　　处：《电影艺术》2024年第6期88-91,共4页Film Art

基　　金：国家社科基金艺术学项目“铸牢中华民族共同体意识视域下中国电影的主体性建构研究”(批准号:24BC053)阶段性成果。

摘　　要：《出走的决心》是一部真正意义上的女性主义作品,是一次女性作者对女性主体意识觉醒的自觉表达。作者将自己和原型人物的生命体验汇聚在一起,表达出一个当代“娜拉”出走的个案中所蕴含的某种普遍性和当代性。当女性从“不可见”变为“可见”,从“凝视对象”变为“凝视主体”,影片正是通过性别叙事中凝视主体的倒置构建了女性的主体性,构建了一种新的母女关系,甚至构建了一个中国女性电影叙事中少见的、高度统一的女性凝视模式。Like A Rolling Stone is a truly feminist work,a conscious expression of the awakening of female subjectivity by a female author.The author combines her life experiences with those of the prototype character to express a certain universality and contemporariness in the contemporary case of Nora's exit.As women transition from being"invisible"to"visible,"from being the"object of the gaze"to the"subject of the gaze",the film constructs women's subjectivity through the inversion of the gaze in gender narrative.It builds a new type of mother-daughter relationship and can even be said to construct a rare and highly unified female gaze mode in the female narrative of Chinese films.

关 键 词：尹丽川 娜拉 女性主义 母女关系 女性凝视 

分 类 号：J905[艺术—电影电视艺术]