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作 者:王士霖 饶曙光 Wang Shilin;Rao Shuguang
机构地区:[1]上海大学上海电影学院
出 处:《电影艺术》2024年第6期133-140,共8页Film Art
摘 要:借助革命台词、革命场景、革命歌曲等叙事手段,集革命乐观主义之大成的“十七年”革命电影积极呈现了中国共产党通过讲演、集会、宣誓、感奋、鼓舞等情感动员手段激发群众诉诸革命行动的革命激情,进而借由这一激情力量在作品内外构建起革命理想憧憬的情感共同体。这一情感共同体内部蕴含的“革命的感觉结构”即集体政治情感与个体日常生活情感之间的结构性张力,反映出革命现代性存在于政治理想与私人热情之间的矛盾冲突以及共商调和。Through the use of revolutionary dialogue,scenes,songs,and other narrative techniques,revolutionary films in the seventeen-year period,which embody the pinnacle of revolutionary optimism in emotional expression,actively present the revolutionary passion of the Communist Party of China through emotional mobilization methods such as complaining,speeches,rallies,oaths,excitement,encouragement,and incitement to inspire the masses to resort to revolutionary action.Through this passion,an emotional community of revolutionary utopian aspirations is constructed inside and outside the work.The"revolutionary feeling structure"contained within this emotional community,namely the structural tension between collective political emotions and individual daily life emotions,reflects the contradiction and conflict of revolutionary modernity between political ideals and personal enthusiasm,as well as the irmutual consultation and reconciliation.
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