《社会日报》里的“电影漫画”专栏与视觉现代性  

Crafting"Decorative Aesthetics":The""Film Cartoons"Column in Social Daily and Visual Modernity

作　　者：王婷[1] Wang Ting

机构地区：[1]西北大学文学院

出　　处：《电影艺术》2024年第6期149-158,共10页Film Art

基　　金：国家社科基金艺术学项目“电影高质量发展视域下中国现实主义电影剧作研究”(批准号:23CC183)阶段性成果。

摘　　要：《社会日报》中的“电影漫画”专栏是早期第一个关于电影与漫画“合流”的报刊专栏。它以漫画为基本形式,电影人物为主要绘制内容,显示出一种较独立的现代性观看。从形式上来看,它在视觉性的意义上编织出“花边”的造型,在图像与文字的互相补充、说明和印证中折射出市民阶层的趣味。就性质而言,它是小报里的电影花边新闻的视觉变体,经由放大的眼睛通向公共空间里的明星私隐与商品美学,在夸张的观看中呈现出“花边”的性别造型与视觉现代性。The"Film Cartoons"column in Social Daily was the first early newspaper section that marked the convergence of film and cartoons.Using cartoons as its primary form and film characters as the main subjects,it exhibited a relatively independent mode of modern visual engagement.From a formal perspective,it wove a"decorative"aesthetic in the visual sense,reflecting the tastes of the civil class through the mutual complementarity,explanation,and verification between images and text.In essence,it served as a visual variant of tabloid film gossip,magnifying the public's gaze on the private lives of stars and the commodification of aesthetics.This exaggerated viewing mode highlighted a gendered construction of"decorative"imagery andvisual modernity.

关 键 词：电影漫画 《社会日报》 “花边” 视觉现代性 

分 类 号：G212[文化科学—新闻学] J905[艺术—电影电视艺术] J218.2