民族音乐学与民俗学——关于学科研究范式变迁的另类叙事  

Ethnomusicology and Folkloristics——Alternative Narratives on the Paradigm Changes of Disciplinary

作　　者：王杰文[1] Wang Jiewen

机构地区：[1]中国传媒大学艺术研究院

出　　处：《中国音乐》2024年第6期86-97,共12页Chinese Music

基　　金：2022年度北京市社会科学基金重点项目“晚清民国时期北京民间艺人生活史资料的整理与研究”(项目编号:22LSA027)的阶段成果。

摘　　要：在民族音乐学的学科发展史上,音乐学与人类学构成了其学术谱系中最重要的理论源泉,而民俗学对于民族音乐学发展的重要贡献,却被严重地忽视与低估了。从民俗学的学科立场出发,评述民间音乐研究范式的变迁史,分析其问题意识的发展序列,即从浪漫主义到启蒙主义,从以文本为中心到以表演为中心,从表演的民族志到表演民族志,从表演的政治学到表演的伦理学,可以为民族音乐学史的主流叙事提供一种基于不同学科立场的另类叙事。这种另类叙事,既补充了主流叙事可能遗漏的重要信息,又提供了某些可资参考的理论工具与问题意识。In the historical development of ethnomusicology,musicology and anthropology have traditionally been regarded as the primary theoretical foundations of the field.However,the significant contributions of folkloristics to the growth of ethnomusicology have often been underappreciated and overlooked.This article adopts a folkloristic perspective to reexamine the evolution of folk music research paradigms.It traces the progression of problem awareness within the field,from romanticism to enlightenment,from text-centered approaches to performancecentered ones,and from performance ethnography to the ethics and politics of performance.By offering an alternative disciplinary narrative,this study provides a complementary perspective to the mainstream historical account of ethnomusicology.This alternative narrative not only fills gaps that may be overlooked by conventional narratives but also introduces theoretical tools and conceptual frameworks that enrich the understanding of ethnomusicological discourse.

关 键 词：民族音乐学 民间音乐 语境 表演 

分 类 号：J607[艺术—音乐]