多学科视野中的音乐情感与情动(affect)研究  

The Study of Music Emotion and Affect from an Interdisciplinary Perspective

作　　者：肖璇[1] Xiao Xuan

机构地区：[1]中国音乐学院

出　　处：《中国音乐》2024年第6期98-106,共9页Chinese Music

基　　金：2021年度国家社科基金后期资助项目“中国两性对歌研究”(项目编号:21FYSB011)的阶段成果;2022年度国家社科基金艺术学重大项目“中国皮影艺术传承创新研究”(项目编号:22ZD08)的阶段成果。

摘　　要：如果将音乐情感置于广阔的人类普遍情感考察之下,该论题往往充满着集体和个体情感、音乐模仿和情感唤起、情感生物和文化建构讨论的此消彼长。21世纪初,西方民族音乐学学者在人文社会科学情动理论影响下产生了音乐情感这一旧话题的新热情,他们或沿着社会文化建构路径探索音乐情感描写的新可能,或对情动理论影响下的学科概念和方法创新保持觉察和警醒,也因此生发出对新东方主义、根茎思维和自我民族志等的实验和反思性研究。When examining musical emotion within the broader context of universal human emotions,the subject encompasses a range of dimensions,including collective and individual emotional experiences,musical imitation,emotional arousal,and the interplay between emotional biology and cultural construction.At the turn of the 21st century,Western ethnomusicologists,influenced by emotion theory from the humanities and social sciences,renewed their interest in this long-standing topic.Researchers have either pursued new avenues for describing music emotion through the lens of social and cultural construction or have critically reflected on the innovations in disciplinary concepts and methodologies prompted by emotion theory.This interdisciplinary approach has also fueled experimental and reflective studies,integrating perspectives from New Orientalism,Rhizomatic thinking,and autoethnography.

关 键 词：音乐情感 情动转向 音乐情动 民族音乐学 两性对歌 

分 类 号：J602[艺术—音乐]