为色拉西记谱的历史与分析  

The History and Analysis of Notation for Serashi

作　　者：张凡 Zhang Fan

机构地区：[1]内蒙古大学民族学与社会学学院

出　　处：《中国音乐》2024年第6期107-115,共9页Chinese Music

基　　金：2021年度国家社科基金艺术学重大项目“中国少数民族器乐艺术研究”(项目编号:21ZD20)的阶段成果;2022年度国家社科基金冷门绝学研究专项学术团队项目“科尔沁史诗的数字化整理及活态生成机制研究”(项目编号:22VJXT008)。

摘　　要：记谱,一直是传统音乐研究的核心问题之一。据文献记载,为色拉西潮尔艺术记谱的历史已近90年,尤其是1949年后,在录音和唱片等音响档案基础上,杨荫浏、黄翔鹏等几代音乐学者、作曲家、演奏家、教育家从不同角度,用不同方式进行了该项工作。本文梳理、回顾、分析这些属于中国少数民族器乐艺术论域的重要成果,一方面展现出人们对于蒙古族弓弦潮尔艺术特征理解的变迁,另一方面,作为一个特殊的个案,也体现出中国音乐学术理念发展的轨迹。The study of musical notation has long been a central issue in traditional music research.According to historical sources,the notation of Serashi choir music has a history spanning nearly ninety years.Particularly after the founding of New China,scholars such as Yang Yinliu and Huang Xiangpeng,along with composers,performers,and educators,have made significant contributions to this work through the use of sound archives like recordings and albums.These efforts,approached from various perspectives,have contributed to preserving and developing Serashi choir music.This article provides a comprehensive summary and analysis of the key achievements in the study of Chinese ethnic instrumental music.It not only traces the evolution of understanding regarding the artistic characteristics of the Mongolian bowstring choir but also reflects the broader development of academic concepts in musicology through this case study.

关 键 词：色拉西 潮尔 记谱 音乐表演 

分 类 号：J613.2[艺术—音乐]