“形”与“气”——论陶瓷绘画创作和王澍建筑设计思想“自然之道”的融合  

Form and Qi-on the Integration of Ceramic Painting Creation and Wang Shu's Architectural Design Thoughtthe Way of Nature

作　　者：梁泳艺 Liang Yongyi(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2024年第11期121-122,185,共3页Ceramics

基　　金：江西省2023年度研究生创新专项资金项目(项目编号:YC2023-S818)。

摘　　要：王澍先生认为建筑是在创造一个生活与艺术共通的世界,并存于现实世界的另一个世界,它以自然为师,自然中所蕴含的“道”等同于以美的形式载道,从自然事物的形态对话其内在本质的“气”。由自然中蕴含的生命力创造并组织陶瓷绘画外在形态的发展,器型和画面的配合制约陶瓷绘画创作,也暗含新时代创作思路。因此,创作想展现自然之道,需以表现“气”(生命律动感)为目的和观察方法,在创作中探索自然形态的内在生长规律。Mr.Wang Shu believes that architecture is to create a world where life and art are common,and another world exists in the real world.The world is taught by nature,and the"Tao"contained in nature is equivalent to the Tao in the form of beauty,and the"qi"of nature is communicated from the form of natural things.The vitality contained in nature creates and organizes the development of the external form of ceramic painting.The cooperation between the form and the picture restricts the creation of ceramic painting,and also implies the creative ideas of the new era.Therefore,if the creation wants to show the way of nature,it is necessary to explore the inner growth law of natural form in the creation with the purpose and observation method of expressing"qi"(the sense of life rhythm).

关 键 词：自然 形态 气脉 陶瓷绘画创作 

分 类 号：TQ174.74[化学工程—陶瓷工业]