白居易的偶作诗与唐宋诗学转型  

Bai Juyi’s Ouzuo Poems and the Transformation of Tang and Song Poetry

作　　者：吴嘉璐 WU Jia-lu(School of Literature and Journalism,Xihua University,Chengdu 610037,China)

机构地区：[1]西华大学文学与新闻传播学院,成都610037

出　　处：《重庆工商大学学报（社会科学版）》2024年第6期158-167,共10页Journal of Chongqing Technology and Business University：Social Science Edition

摘　　要：偶作诗作为一个特定的诗歌类型,定型于中唐时期。白居易是第一个大量创作偶作诗的诗人,他之所以创作数量如此庞大的偶作诗,除了受到了洪州禅“平常心是道”和“无事”的思想观念的影响以外,还受到他以作诗为生活方式的创作观念的影响。结合白居易和其他中唐时期诗人的偶作诗,可以发现其多以叙事手法表现诗人当下的闲适生活。除了以叙事性突出诗人的日常生活,注重表现哲学性和思辨性,它们还具有“重意”“戏作”和“内省”的特质。中唐到宋代偶作意识的变化,反映出了诗人身份和创作行为不断为古典诗人所重视的演变轨迹。Ouzuo poems,as a specific type of poetry,were crystallized during the Mid-Tang period.Bai Juyi was the first poet to produce a substantial number of Ouzuo poems.His prolific output can be attributed not only to the influence of the Hongzhou Chan philosophy of“ordinary mind is the Way”and“no affairs”but also to his perspective on poetry as a way of life.A comparative analysis of Bai Juyi’s Ouzuo poems and those of other Mid-Tang poets reveals that these poems are characterized by a narrative approach that conveys the poet’s easy-going lifestyle.In addition to highlighting the poet’s quotidian experiences through narrative,these poems emphasize philosophical and contemplative themes,exhibiting traits of“emphasis on meaning”,“playful composition”,and“introspection”.The evolution of Ouzuo awareness from the Mid-Tang to the Song Dynasty reflects the changing trajectory of the poet’s identity and creative practice as increasingly valued by classical poets.

关 键 词：白居易 偶作诗 洪州禅 唐宋转型 

分 类 号：I207.22[文学—中国文学] K242[历史地理—历史学] K244[历史地理—中国史]