区域国别学视域下中缅泰交界多民族乐种的分类与分层研究——以傣、掸、布朗诸民族声乐乐种群落为例  

Classification and Stratification of the Multi-Ethnic Music in the Border Area of China,Myanmar and Thailand in the Perspective of Regional Studies:Taking Dai,Shan,and Bulang Ethnic Vocal Music Communities as Examples

作　　者：杨民康[1,2] Yang Minkang(China Conservatory of Music;Central Conservatory of Music,Beijing,100875.)

机构地区：[1]中国音乐学院,北京100875 [2]中央音乐学院,北京100875

出　　处：《民族艺术研究》2024年第5期35-46,共12页Ethnic Art Studies

摘　　要：在云南与东南亚区域音乐文化研究领域,中缅泰交界地区的傣、泰、缅、佬及孟高棉语诸民族音乐及乐(歌)种的传播与分布是一个非常重要的组成部分。这类研究课题具有的特殊性文化意义和学术价值,一定程度体现在区域和国别文化因素交错并存、纵横叠立的语境下,作为研究对象的异源跨界族群音乐呈现出多样性的艺术风格特点和错综复杂、相互交织、区分不易的分布状况,由此成为该研究领域的一种难得的考察和分析样本,他们彼此之间存在着互相交融的关系,由此显露出一些明确的跨地域性(区域性)特征,同时又因为受具有现代性特征的国别文化因素的影响,而使这种“地域—跨地域(区域)”的分布格局愈加复杂化,使之成为可以在区域国别音乐研究论域进行研究和讨论的一个有意义的学术性话题。In the field of regional music culture in Yunnan and Southeast Asia, the spread and distribution of music and the types of music(songs) of the Dai, Thai, Burmese, Lao and Mon-Khmer-speaking ethnic groups in the China-Burma-Thailand border region is a very important part. The special cultural significance and academic value of this kind of research topic is to a certain extent reflected in the fact that, in the context of the interlocking and over-lapping regional and country-specific cultural factors, the music of the cross-border ethnic groups, as a subject of research, presents a diverse, artistic and intertwined style characteristics so that it is not easy to distinguish distribution conditions. Therefore, this is a rare sample for investigation and analysis and there exist intertwined relationships among them, which reveals some clear transregional(regional) characteristics. At the same time, this “regional-transregional” distribution pattern is further complicated by the influence of national cultural factors of modernity, which makes it a meaningful academic topic that can be researched and discussed in the field of regional and national music studies.

关 键 词：区域国别学 中缅泰交界 多民族乐种 声乐乐种群落 

分 类 号：J607[艺术—音乐]