中国自主影视理论评论话语体系的建构维度  

The Constructing Dimensions of the Autonomous Discursive System of Chinese Film and Television Theory and Criticism

作　　者：赵卫防[1] Zhao Weifang

机构地区：[1]中国艺术研究院电影电视研究所

出　　处：《中国文艺评论》2024年第11期32-42,I0002,共12页China Literature and Art Criticism

摘　　要：中国自主影视理论评论话语体系的建构,是新时代文化自信自强和文化强国建设的重要命题,民族话语、现代话语、大众话语和国际话语四个维度是该体系建构的主要维度和目标。民族话语主要表现为中国影视理论评论体系中的民族价值观和民族审美观;现代话语主要呈现为这一体系的时代性和创新性以及与西方理论的平衡性;大众话语主要体现为这一体系生产和传播的大众性;国际话语主要体现为这一体系的国际话语权和影响力。以上四个维度在中国自主影视理论评论话语体系建构中“四位一体”并相互作用。The construction of the autonomous discursive system of Chinese film and television theory and criticism is an important proposition for the construction of cultural self-confidence and cultural power in the new era.The four dimensions of national discourse,modern discourse,popular discourse and international discourse are the main dimensions and objectives of the construction of this system.National discourse is mainly manifested in the national values and national aesthetic views in China’s system of film and television theory and criticism.Modern discourse is mainly presented in the system’s contemporaneity and innovativeness,as well as its balance with Western theories.Popular discourse is mainly reflected in the popularity of the system’s production and dissemination.And international discourse is mainly manifested in the system’s international discursive power and influence.The above four dimensions are“four in one”and interact with each other in the construction of China’s autonomous discursive system of film and television theory and criticism.

关 键 词：中国自主影视理论评论话语体系 民族话语 现代话语 大众话语 国际话语 

分 类 号：J905[艺术—电影电视艺术]