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作 者:曾军[1] Zeng Jun
机构地区:[1]上海大学文学院、马克思主义研究院
出 处:《中国文艺评论》2024年第11期92-100,I0003,I0004,共11页China Literature and Art Criticism
摘 要:“新时代文学”属于时代式的文学命名方式。不同于“与旧时代告别”的“新时期文学”、“为新世纪正名”的“新世纪文学”,“新时代文学”则是“创造新时代未来”的文学。以人民为中心的创作导向的“人民性”、科技革命日新月异的“时代性”以及在文明交流互鉴中日益凸显的“传统性”形成了“新时代文学”的发展方向和总体样貌。“新时代文学”的总体格局表现为遵循现实主义创作原则、致力于“再造史诗”的严肃文学,适应新兴的网络技术、致力于宏大世界观建构的网络文学以及贴近日常生活快节奏需求、便于传播互动的新媒体“短文学”三足鼎立的状态。“新时代文学”具有开放性、互动性和参与性的特点,是一种具有未来指向的、充满活力和创造力的文学形态。The“Literature of the New Era”represents a time-defined naming approach for literary categories.Unlike the“Literature of the New Period”which signifies a“farewell to the old era”,and the“Literature of the New Century”which seeks to establish legitimacy for the new century,“Literature of the New Era”is directed toward“creating the future of the New Era”.Its development and overall characteristics are shaped by“the people-centered orientation”,the rapidly evolving “contemporaneity” of the technological revolution, and an increasingly prominent “traditionality” forged through intercultural exchange and mutual appreciation. “Literature of the New Era” manifests in a tripartite structure: (1) serious literature that follows the principles of realism and aims to “recreate the epic”;(2) online literature that adapts to emerging internet technologies and seeks to construct grand worldviews;and (3) new media “short literature” that caters to the fast pace of modern life and is designed for interaction and easy dissemination. “Literature of the New Era” is characterized by openness, interactivity, and participation, representing a future-oriented, dynamic, and creative literary form.
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