理念偏颇、标准错位和话语失范——关于当下戏剧批评学理品格之不足的反思  

Bias of Concept,Dislocation of Standards and Anomie of Discourse:A Critical Reflection on the Lack of the Academic Character of Current Theatre Criticism

作　　者：穆海亮 Mu Hailiang

机构地区：[1]陕西师范大学新闻与传播学院

出　　处：《中国文艺评论》2024年第11期101-110,I0004,共11页China Literature and Art Criticism

基　　金：2019年度国家社科基金项目“西秦腔文献整理与传承保护研究”(项目批准号:19VJX152)的阶段性成果。

摘　　要：当下的戏剧批评存在学理品格的不足:文学本位的戏剧批评体现出批评理念的偏颇,话剧定势的戏曲批评彰显出批评标准的错位,而习焉不察的话语偏差则折射出语言表达的失范。反思这些问题,有助于优化戏剧批评的话语体系,从而使戏剧批评真正发挥其应有的文化功能。The current theatre criticism is lacking in academic character.Literary-oriented theatre criticism reflects the bias of critical concepts,while the fixed thinking pattern of drama on traditional Chinese opera criticism highlights the dislocation of critical standards.And furthermore,the habitual discourse deviation refracts the anomie of language expression.Reflecting on these issues can help optimize the discursive system of theatre criticism,thus enabling it to truly fulfill its cultural function.

关 键 词：戏剧批评 学理品格 文学本位 话剧定势 话语失范 

分 类 号：J805[艺术—戏剧戏曲]