宋孝武帝与大明诗坛“尚谣俗”  

Emperor Xiaowu of Song dynasty and the poetic fashion in Ming dynasty

作　　者：刁丽丽 DIAO Li-li(Department of Comprehensive Teaching,Hebei Jiaotong Vocational and Technical College,Shijiazhuang,Hebei 050035,China)

机构地区：[1]河北交通职业技术学院基础教学部,河北石家庄050035

出　　处：《石家庄职业技术学院学报》2024年第5期61-68,共8页Journal of Shijiazhuang College of Applied Technology

基　　金：河北省社会科学基金项目(HB23ZW009)。

摘　　要：大明诗坛“尚谣俗”的新趋向与宋孝武帝的多方面推动关系密切。孝武帝通过政治威力将俗乐置于朝堂,并亲自创制谣辞以示范时人,终使谣俗地位大大提高,以至大明中“家竞新哇,人尚谣俗”。孝武帝及大明诗人的民歌拟作体式轻巧,艺术风格既真朴又兼具文人气息,格调明朗健康。这些拟作在大明诗坛的集中出现为新的诗乐结合作出了有益的探索,并促使生活化、趣味性诗歌观念初步确立,这使其在中国诗歌史上具有了不可替代的价值和意义。Folk poetry becomes a fashion in Ming dynasty largely due to his personal inclination of Emperor Xiaowu of Song dynasty,who promotes folk music,singing ballads in court.This renders poetic ballads to be fashionable in Ming dynasty.The folk songs by Emperor Xiaowu and other poets of Ming are composed in a delightful,artistic,simple and literati style,bright and healthy.All this has made great contributions to the development of Chinese poetry.

关 键 词：宋孝武帝 大明诗坛 尚谣俗 民歌拟作 

分 类 号：I206[文学—中国文学]