20世纪80年代文学期刊“认识性装置”实践与城市书写的发生——以《上海文学》为中心的知识考古学分析  

The Practice of“Epistemological Configuration”in Literary Journals and the Emergence of Urban Writing in the 1980s:The Archaeology of Knowledge Analysis Centered on Shanghai Literature

作　　者：陈文婷 Chen Wenting

机构地区：[1]河南牧业经济学院文法学院,河南郑州450000

出　　处：《河南大学学报（社会科学版）》2024年第6期88-94,155,共8页Journal of Henan University(Social Sciences）

摘　　要：20世纪80年代以来,文学期刊在实践活动中普遍存在建构“认识性装置”现象,希冀通过理论总领、机制运行、写作实践等先行装置实现期刊理念。通过考察期刊“认识性装置”建构发现,《上海文学》凝聚本地作家力量,大量发表上海作家以及以上海为书写对象的作品,通过小说呈现出独特的上海城市想象及空间、人物“现代性”,进而与80年代主流小说区别出别样的气质,为探索小说创作新历史维度提供契机。这一研究个案不仅对解释90年代及以后《上海文学》的都市想象具有“前史”意义,也可以联结80年代之前的上海都市写作,弥补这一时期文学思潮化、固定化,缺乏从作品内部把握文学现象的缺憾。Since the 1980s,literary periodicals have been widely constructing“epistemological configuration”in activities,hoping to realize their periodical ideas through such advanced devices as theoretical master,mechanism operation and writing practice.By examining the“epistemological configuration”of periodical,we can find that Shanghai Literature gathers the strength of local writers,publishes a large number of works by Shanghai writers and which written about Shanghai,the novel presents the unique imagination,the modernity of space and characters of Shanghai,and then distinguishes itself from the mainstream novels in this period,which provides an opportunity to explore the new historical dimension of novel creation.This case study not only has the significance of“Prehistory”to explain the urban imagination of Shanghai Literature in the 1990s and later,but also link the urban writing of Shanghai before the new period,make up for the lack of understanding of literary phenomenon from the works under the condition of the ideological and immobilization trend.

关 键 词：文学期刊 认识性装置 《上海文学》 城市书写 

分 类 号：I207.42[文学—中国文学]