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作 者:刘春鸽[1] 夏梦泽 Liu Chunge;Xia Mengze
出 处:《外语教育研究》2024年第4期64-71,共8页Foreign Language Education & Research
基 金:辽宁省哲学社会科学规划基金青年项目“黑格尔的‘艺术终结论’对文学理论未来发展的意义研究”(项目编号:L21CWW001)。
摘 要:莎剧《哈姆雷特》中哈姆雷特所遭遇的主体性危机是现代人所面临的生存困境的真实写照,以黑格尔的主体性思想对此加以分析,有助于深入理解该悲剧所体现的现代主体性问题。基于黑格尔主体性思想的整体性、现实性与中介性三个主要特征来探讨哈姆雷特的主体性问题,发现以哈姆雷特为代表的现代人身处主客二分的困境,遭遇自我认同的混乱,并深陷难寻助力的僵局。在现代性背景下,以黑格尔的主体性思想为视域考察《哈姆雷特》,能够丰富这部经典作品研究的理论视角,揭示现代人所面临的主体性问题,同时表明文学对表达和解决该问题具有积极意义。The crisis of subjectivity encountered by Hamlet in Shakespeare’s Hamlet is a true portrayal of the existential predicament faced by modern people.To analyze it with Hegel’s thought of subjectivity helps to delve into the problem of modern subjectivity that is reflected in the tragedy.Based on the three main characteristics of Hegel’s thought of subjectivity,which are wholeness,actuality and mediation,we can find that modern people represented by Hamlet are caught in the dilemma of subject-object dichotomy,the confusion of self-identification and the impasse of finding help.In the context of modernity,examining Hamlet from the perspective of Hegelian subjectivity can enrich the theoretical perspectives in the study of this classic work,reveal the problem of subjectivity faced by modern people,and show the positive role literature plays in expressing and solving this problem.
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