瞬间立义的时间境域--论《西游记》中武打插图的“当下”构造  

Temporal Realm of Instant Formation:On the“Present”Construction of Martial Arts Illustrations in Journey to the West

作　　者：安汝杰 AN Rujie(School of Physical Education,Pingdingshan University,Pingdingshan 467000,China)

机构地区：[1]平顶山学院体育学院,河南平顶山467000

出　　处：《江苏海洋大学学报（人文社会科学版）》2024年第6期71-78,共8页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

摘　　要：《西游记》诸评本中,插图画师创作武打插图的过程,就是对时间客体进行瞬间立义的过程,而时间客体作为插图画师的意识对象,其内容是取经者与妖魔武斗时所用的具体拳势。插图画师的意识河流由境域性的瞬间构成,而“这里”作为境域是固定之处,并为其进行艺术创作提供时机。设计《西游记》中武打插图的画师都是当时出色的艺术家,他们的绘制都是独一无二的天才创造,这种创作发生在“当下”。空间的时间转化在《西游记》武打插图的审美鉴赏领域就是过去与未来在读图者“期待视野”中的“当下”到时。In the various commentaries of Journey to the West,the process of illustrators creating martial arts illustrations is the process of instantly interpreting the object of time.The object of time,as the consciousness object of illustrators,refers to the specific martial arts techniques used by the seekers of scriptures during battles with demons.The consciousness river of illustrators is composed of fleeting moments in the realm,and“here”as the realm is a fixed place,providing opportunities for their artistic creation.The artists who designed the illustrations of martial arts in Journey to the West were all outstanding artists at that time,and their drawings were unique and genius creations that took place in the“present moment”.The transformation of space into time in the aesthetic appreciation of martial arts illustrations in Journey to the West is the“present”and future in the reader’s“anticipated horizon”.

关 键 词：《西游记》 瞬间立义 武打插图 “当下”构造 

分 类 号：I207.4[文学—中国文学]