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作 者:敬如歌 Jing Ruge;D.D.Masalimova
机构地区:[1]天津职业技术师范大学 [2]俄罗斯布里亚特国立大学东方系
出 处:《国际汉学》2024年第6期60-68,151,152,共11页International Sinology
基 金:2024年度教育部人文社会科学研究青年基金项目“宋代诗词在俄罗斯的译介与传播研究”(项目编号:24YJC752008)的阶段性成果。
摘 要:唐代作为中国历史上的诗歌黄金时代一直备受海外汉学家瞩目。俄罗斯汉学家马萨利莫娃以《全唐诗》为研究对象,在其专著《唐代女性诗歌》中展现了俄罗斯汉学家在唐代女性诗歌研究领域的独特造诣。马萨利莫娃条分缕析地梳理了唐代女诗人的创作成就,以详实的作品译介与评析探查唐代女性诗歌的特点和主题,指出唐代女性诗歌创作不仅是女性私人情愫的表达,也是唐代宽容的社会氛围下女性参与社会、政治生活的行为。唐代女性诗歌的兴起、繁荣标志着女性真正闯入中国的诗歌创作领域。自唐代起女性创作诗歌成为一种规律性现象,并为古代中国后续的女性抒情诗发展打下基础。The Tang dynasty,the golden age of poetry in Chinese history,has always attracted the attention of overseas Sinologists.Russian Sinologist D.D.Masalimova took Quan Tangshi as her research object,and her work Tang Dynasty Women’s Poetry showed the unique attainments of Russian Sinologists in the field of research on Tang dynasty women’s poetry.Masalimova has sorted out the poetry’s creative achievements,and explored the characteristics and themes of Tang dynasty women’s poetry with detailed translations and commentaries in her works.She has pointed out that the women’s poetry creation in the Tang dynasty was not only an expression of their private sentiments,but also an act of women’s participation in social and political life under the tolerant social atmosphere of the Tang dynasty.The rise and prosperity of women’s poetry in that dynasty marked the real entrance of women into the realm of Chinese poetic creation.At the beginning of the Tang dynasty,women’s poetry became a regular phenomenon and laid the foundation for the subsequent development of female lyric poetry in traditional China.
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