石湾公仔的造型特点及地域文化内涵探究  

Exploration of modeling characteristics and regional cultural implications of Shiwan art pottery

作　　者：徐丹 田菁 陈妍 张涵 胡健 何乐庭 XU Dan;TIAN Jing;CHEN Yan;ZHANG Han;HU Jian;HE Leting(School of Architecture and Planning,Foshan University,Foshan 52800,China)

机构地区：[1]佛山大学建筑与规划学院,广东佛山528000

出　　处：《佛山科学技术学院学报（社会科学版）》2024年第6期75-82,共8页Journal of Foshan University(Social Science Edition)

摘　　要：“石湾公仔”是佛山石湾艺术陶器的统称,因浓郁的地方特色及特殊的艺术风格,在陶瓷界中独树一帜。从新石器时代的制陶技艺到现今品类丰富的陶塑造型,石湾公仔在历史演变中逐步迈向专业化和精细化。石湾公仔呈现出陶色自然、阳刚粗犷和质朴亲民、雅俗共赏的风格特点,体现出独特的审美意趣。根据造型特点进行分类,石湾公仔可分为陶塑瓦脊、神佛及人物塑像、动植物塑像、山公盆景四大较为典型的类别。石湾公仔的造型设计借鉴了多种艺术门类的表现手法,既体现了崇文重教和重商务实的社会风气,也在守德爱国等方面发挥着积极的文化引导作用。Art pottery of Shiwan is a collective term for the artistic pottery of Shiwan in Foshan,which stands out in the world of ceramic appreciation due to its rich local characteristics and unique artistic style.From the pottery making of the neolithic age to the present diverse range of pottery sculptures,art pottery of Shiwan have gradually become specialized and refined over historical evolution.Characterized by a masculine yet simple,natural and truthful,approachable and casual aesthetic that appeals to both the refined and the popular,art pottery of Shiwan exhibit a unique style and aesthetic appeal.In terms of modeling characteristics,they can be classified into four typical categories:ceramic tile ridges,statues of gods,Buddhas and figures,animal and plant sculptures,and mountain bonsai.The design of Shiwan art pottery draws on various artistic techniques,reflecting the social atmosphere of valuing culture,education,and practicality,as well as playing a positive cultural guiding role in upholding morality and patriotism.

关 键 词：石湾公仔 造型特点 地域文化内涵 

分 类 号：G124[文化科学]