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作 者:郭然 GUO Ran(School of Chinese Language and Literature,Jiangsu Normal University,Xuzhou,Jiangsu 221008,China)
出 处:《内江师范学院学报》2024年第11期37-43,共7页Journal of Neijiang Normal University
摘 要:中国小说以“好奇”为特征的现实观在唐传奇中首次形成,它与汉魏六朝笔记小说的“搜奇”并非简单的承继关系。首先,“博物”而非“搜奇”才是汉魏六朝笔记小说的总体美学特征。其次,“好奇”与“博物”也大不相同。“好奇”是对奇的有意识追求,它不仅超越了“博物”对物的静态描写,使得物更好地融入了唐传奇的动态叙事,同时也促进了唐传奇的情节化,突破了“博物”原则下小说被物化的藩篱,最终划清了唐传奇与汉魏小说之间的界限。此外,“好奇”并非只停留在“博物”对奇闻异事、鬼神精怪的表层记载上,它开辟了通往现实的独特路径,使奇首次成为中国小说谈论现实的特有策略。Haoqi(pursuit of curiosity)in Chinese novels first emerged in chuanqi(tales of the strange)in Tang dynasty.This phenomenon does not merely represent a continuation of souqi tradition found in anecdotal fictions in Han,Wei,and Six Dynasties.Firstly,the term bowu(encyclopedic knowledge)rather than seeking the strange aligns more closely with the overall aesthetic of the anecdotal fiction in Han,Wei,and Six dynasties.Secondly,curiosity significantly differs from encyclopedic knowledge.The former embodies a conscious pursuit of the extraordinary,transcending the static depiction of objects inherent in the latter.Thereby,a more dynamic narrative is allowed in Tang chuanqi in which the plot-driven nature is facilitated.Therefore,the constraints of objectification imposed by encyclopedic knowledge was broken.Ultimately,there was a delineating boundary between chuanqi in Tang dynasty and ficfion in Han and Wei.Furthermore,pursuit of curiosity is more than the superficial recording of peculiar events or supernatural phenomena which are the job of encyclopedic knowledge.By contrast,it opens a unique path to reality,marking the first instance in Chinese literature where the extraordinary narrative is utilized as a specific strategy to address reality.
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