身份措置与词曲变格--晚清文人江顺诒词曲创作差异论  

Identity Negotiation and Variant Forms of Lyrics and Qu:The Transformation of Lyrics and Qu of JIANG Shunyi,a Literatus in Late Qing Dynasty

作　　者：王一丹 WANG Yidan(College of Literature and Journalism,Sichuan University,Chengdu,Sichuan 610207,China)

机构地区：[1]四川大学文学与新闻学院,四川成都610207

出　　处：《内江师范学院学报》2024年第11期44-49,共6页Journal of Neijiang Normal University

摘　　要：晚清文人江顺诒的词曲创作展现出风格迥异的创作特色,在情感内容上,其词言愁曲折,其曲写痛慷慨,打开才子与穷宦多元的身份认同面向;在造境上,其词寄托遥深,空远蕴藉,其曲直陈白描,闹热有情,体现官方与民间差异化的审美需求。而风格迥异的创作背后,是江顺诒对词曲承继变格的文体认知,“词能移性”与“曲可存史”的分野,是对清代词曲并论的反思与突破。从身份措置的视角打开江顺诒词曲创作的差异,可以探知晚清文人文体观念的承与变。The lyrics and qu(yuan drama)composed by JIANG Shunyi,a literatus in late Qing dynasty,exhibit distinct creative characteristics.In terms of emotional content,JIANG’s lyrics express sorrow in a tortuous manner,while his qu convey a passionate pain.The composition reflects a multifaceted identity of the talented scholar versus the impoverished official.In terms of artistic realm,his lyrics convey profound and remote sentiments,while his qu are straightforward and vivid,embodying the different aesthetic demands of official and popular culture.Behind this stylistic divergence lies JIANG’s understanding of the inherited and transformed literary genres of lyrics and qu.JIANG contents that lyrics can alter one’s disposition,and qu can record history.His differentiation of lyrics and qu represents a reflection and breakthrough concerning the discourse on qu on par with lyrics during the Qing dynasty.By examining the differences in his composition of lyrics and qu from the perspective of identity negotiation,we can gain insights into the continuity and change in late Qing literati’s genres.

关 键 词：晚清文人 江顺诒 词曲变格 

分 类 号：I207.24[文学—中国文学]