论周之标《吴歈萃雅》“自叙”“题词”中的曲学观  

Analysis of Zhou Zhibiao’s Views on Drama in the Preface and Inscriptions of Wu Yu Cui Ya

作　　者：孙蓉蓉[1] SUN Rongrong

机构地区：[1]温州大学人文学院,温州325035

出　　处：《浙江艺术职业学院学报》2024年第3期35-41,共7页Journal of Zhejiang Vocational Academy of Art

摘　　要：周之标编选的《吴歈萃雅》是明代一部戏曲、散曲的选集。周之标在《吴歈萃雅》的“自叙”“题词”中对《吴歈萃雅》的介绍、说明,集中地体现了他的曲学观。周之标认为,戏曲是由人自然发声歌唱发展而来,源远流长。周之标对戏曲曲律提出合律依腔的要求,并说明《吴歈萃雅》“但取南调”。周之标编选《吴歈萃雅》的目的是为清唱者度曲提供规范的选本,因而他为所选曲作点明板眼、分别字声、详注撮口等,使《吴歈萃雅》成为一本选本型曲谱。Zhou Zhibiao’s compilation Wu Yu Cui Ya is a collection of dramas and verses with folk music tonal pat-terns of Ming Dynasty.In the preface and inscriptions of Wu Yu Cui Ya,Zhou Zhibiao’s introductions and explana-tions of the collection primarily reflect his views on dramas.Zhou Zhibiao believes that dramas originated from natural human vocalization and singing,with a long and profound history.Zhou Zhibiao emphasizes the requirement of harmo-nious tones and adherence to the tunes in drama melodies,specifying in Wu Yu Cui Ya the preference for Southern tunes.Zhou Zhibiao compiled Wu Yu Cui Ya with the purpose of providing a standardized selection for chanters,thus he meticulously marked the key music measure,distinguished the tones,and provided detailed annotations mouth gathering,making Wu Yu Cui Ya a model collection of music scores for performers.

关 键 词：《吴歈萃雅》 “曲之兴也” “但取南调” “徒歌逸调” 

分 类 号：J802[艺术—戏剧戏曲]