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作 者:朱航 ZHU Hang
机构地区:[1]中央戏剧学院戏剧艺术研究所,北京100006
出 处:《浙江艺术职业学院学报》2024年第3期52-59,共8页Journal of Zhejiang Vocational Academy of Art
基 金:中央高校基本科研业务费专项资金资助中央戏剧学院学生项目“民国南京昆曲活动研究”阶段性成果。(项目编号:YNXS2410)。
摘 要:民国时期,南京昆曲活动以昆曲戏班演出、文人曲会、学术活动为主,具体表现为“仙霓社”“祥庆社”来宁演出和“公余联欢社”“紫霞社”“潜社”等以文人士绅为活动主体的曲会活动,以及以吴梅为代表的曲学学术研究活动。这些活动在全国范围内独树一帜,反映了民国南京作为昆曲活动重镇的基本面貌,对昆曲的传承与发展有着极大的影响。During the Republic of China,Kunqu Opera activities in Nanjing were mainly performed by Kunqu Opera troupes,literati music fairs,and academic activities.It is specifically reflected in the performance activities of“Xiannishe”and“Xiangqingshe”to Nanjing,the music festivals with literati and gentry as the main body of the ac-tivities such as“Gongyu Gala associations”,“Zixia associations”and“Qian associations”,as well as the academic research activities of qu studies represented by Wu Mei.These activities are unique across the country,reflecting the basic appearance of Nanjing as an important town for Kunqu Opera activities in the Republic of China,and have a great impact on the inheritance and development of Kunqu Opera.
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