论回族武术拳谱的身体叙事形态——以《心意六合拳拳谱》为个案  

Body Narrative Form of Hui Martial Arts Fist Manual:Taking“Heart and Mind Liuhe Fist Manual”as a Case Study

作　　者：马林[1] 王明建[2] MA Lin;WANG Mingjian(School of P.E.and Sport Science,China West Normal Univ.,Nanchong 637000,China;Wushu School,Chengdu Sports Univ.,Chengdu 610041,China)

机构地区：[1]西华师范大学体育学院,四川南充637000 [2]成都体育学院武术学院,四川成都610041

出　　处：《武汉体育学院学报》2024年第11期56-63,81,共9页Journal of Wuhan Sports University

基　　金：国家社会科学基金重点项目(22ATY010);教育部人文社会科学青年基金项目(23XJC890003)。

摘　　要：基于身体叙事理论,选取具有武学想象与武技实践代表性的回族武术拳谱《邓州心意六合拳拳谱》为个案,运用田野调查法、文本分析法、个案法等研究方法,着重阐释其身体叙事的基本形态。研究发现,其身体叙事形态的基本架构为以智勇双全的身体作为叙事动力,以自然隐喻的身体作为叙事修辞,以六合相合的身体作为叙事符号。这三种身体叙事形态互融共生诠释出“回族武术身体的过去如何言说”,并在此基础上衍化出的“和的身体”叙事形态,为“回族武术未来身体如何存在”提供了发展方向的启示:在数字时代下既要注重从延伸到回归的身体转向,重温传统武术拳谱典籍中的身体之“和”;又要审视理解技术的身体,进而再塑传统武术“虚实共在”的身体形象。Based on the theory of body narrative and“Dengzhou Xinyi Liuhe Quan Pu”(Heart and Mind Liuhe Fist Manual),the representative martial arts book including martial arts imagination and martial arts practice of the Hui ethnic group,on field investigation,text analysis,and case study,the basic form of its body narrative was analyzed.It was found that the basic structure of its body narrative form was based on the intelligent and brave body as the narrative force,the metaphorical body as the narrative rhetoric,and the six in one body as the narrative symbol.These three narrative forms of the body blended and coexisted to interpret how the past of the Hui martial arts body was represented.And the derived narrative form of“the body of harmony”provided inspiration for the development direction of“how the future body of Hui martial arts would exist”.In the digital age,attention should be paid to the return of the body as well as the“harmony”of the body,the body with skills,and the image of a combination of virtual and real body.

关 键 词：回族武术 拳谱 邓州心意六合拳 身体叙事 

分 类 号：G852.1[文化科学—民族体育] G80-05[文化科学—体育学]