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作 者:范子依 FAN Zi-yi(School of Literature and Journalism and Communication,Baoji University of Arts and Sciences,Baoji,721013,Shaanxi)
机构地区:[1]宝鸡文理学院文学与新闻传播学院,陕西宝鸡721013
出 处:《蚌埠学院学报》2024年第6期18-22,共5页Journal of Bengbu University
摘 要:通过对比魏晋和南北朝时期的典籍发现,魏晋时王祥的孝子形象乃是精心经营下的产物,政治气息浓厚;而南北朝的王祥却是众人想象中的孝子,具有理想孝子的特征。当王祥成为众人想象中的完美孝子,他就不可避免地被符号化了。这种符号化表现在王祥之孝的典故化和王祥姓名含义的衍生上。其主要原因则在于记载王祥之孝的文献文体和叙事手法的改变,王祥从历史人物转向文学人物。又因王祥其人其事寓意美好、其身份特殊,故而能够成为中国古代最具代表性的孝文化符号之一。By comparing the classics of the Wei-Jin Dynasties and the Northern-Southern Dynasties,it can be found that the image of Wang Xiang’s dutiful son in the WeiJin dynasties was the product of careful management,and the political atmosphere was strong.However,Wang Xiang of the Northern-Southern Dynasties is a dutiful son in everyone’s imagination,with the characteristics of an ideal dutiful son.When Wang Xiang became the perfect dutiful son in everyone’s imagination,he was inevitably symbolized.This symbolization is manifested in the allusion of Wang Xiang’s filial piety and the derivation of the meaning of Wang Xiang’s name.The main reason for this is the change in the literary form and narrative technique of the documents that record Wang Xiang’s filial piety,and he has shifted from a historical figure to a literary figure.And because Wang Xiang and his deeds have a beautiful meaning and his special identity,he can become the most representative symbol of filial piety culture.
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