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作 者:王迅 Wang Xun(School of Humanities and Communication,Zhejiang University of Finance and Economics,Hangzhou 310018,China)
机构地区:[1]浙江财经大学人文与传播学院,浙江杭州310018
出 处:《东方论坛—青岛大学学报(社会科学版)》2024年第6期76-86,共11页Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基 金:国家社会科学基金项目“期刊编辑与新时期文学建构研究”(22BZW154)的阶段性成果。
摘 要:新中国成立后,文学编辑作为专业知识分子与意识形态代言人的双重身份,内在地决定了作为文学生产“守门员”的编辑主体在审稿中考虑的因素是多方面的。国家文艺政策不断调整变化以及种种“外力”因素的“干预”深刻影响着审稿机制、审稿标准的确立与嬗变。对稿件的审读与判断绝不只是编辑个体的事情,而是关乎政治制度、经济体制、文艺政策以及文艺界领导人意见等因素的事情。一部作品的发表是在审稿机制中多种因素参与下实现的。After the founding of the People's Republic of China,literary editors who embodied the dual identity of professional intellectuals and ideological spokespersons inherently determined that the factors considered by editors as"gatekeepers"in the review process are multifaceted.The continuous adjustments in national cultural policies,along with the interention of various"external"factors,profoundly affect the establishment and evolution of the review mechanism and standards.The review and judgment of manuscripts are not merely individual editor responsibilities;they are also influenced by political systems,economic frameworks,cultural policies,and the opinions of leaders in the literary field.The publication of a work is achieved through the interplay of multiple factors within the review mechanism.
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