重构、移情与询唤:当代离散影像的媒介记忆建置  

Reconstruction,Empathy and Interpellation:The Construction of Media Memory in Contemporary Diaspora Images

作　　者：郭依菲 杨一欣 Guo Yifei;Yang Yixin

机构地区：[1]北京电影学院,北京100088

出　　处：《传媒观察》2024年第11期107-113,共7页Media Observer

摘　　要：日益加速的全球化进程使跨国人口流动变得愈加频繁。在此过程中,“离散”的内涵也随之不断扩大,从而成为了一种流传数千年但又在20世纪重新被定义的后殖民现象。在视听手段高度发达的当代,离散影像愈趋成为讲述离散的重要媒介,博物馆离散影像、离散电影和数字化离散影像是当代最具代表性的3种离散影像,而重构、移情和询唤则是离散影像媒介记忆的3种基本的形塑手段。当代离散影像在不同的话语空间中各自运作,又彼此关联,并最终依凭离散影像的媒介记忆唤醒文化记忆,强化集体认同,凝聚社会共识。The accelerating pace of globalization has led to more frequent transnational population movements.Through this process,the concept of"diaspora"has evolved into a postcolonial phenomenon with ancient roots,redefined in the twentieth century.In today's era of advanced audiovisual technology,diaspora images have become an essential medium for telling diaspora stories.Contemporary diaspora imagery can be categorized into three main types:museum diaspora images,diaspora films,and digital diaspora images.Reconstruction,empathy,and interpellation are the three fundamental methods for shaping the media memory of diaspora images.While contemporary diaspora images operate independently within different discourses,they remain interconnected,ultimately relying on diaspora media memory to evoke cultural memory,strengthen collective identity,and consolidate social consensus.

关 键 词：离散影像 媒介记忆 记忆之场 形塑 建置 

分 类 号：G206[文化科学—传播学]