历史与绘画——《山河颂》创作谈  

History and Painting:On the Creation of Ode to Mountains and Rivers

作　　者：吕鹏 Lv Peng(China Academy of Art)

机构地区：[1]中国美术学院

出　　处：《美术》2024年第11期46-49,共4页Art Magazine

摘　　要：油画《山河颂》以傅抱石、关山月二人创作巨幅山水画《江山如此多娇》的场景为选题,借以致敬这件美术史划时代的精品巨作以及二位绘画大家。本文陈述了《山河颂》的选题缘起、构图思考及绘画语言选择等创作经历和感想。《山河颂》作为一件历史题材油画创作,潜含着历史真实性与艺术真实性之间的矛盾,如何以绘画语言调和这一矛盾,是本文阐释的核心问题。The oil painting Ode to Mountains and Rivers takes scenes in the large-scale landscape painting A Land So Rich in Beauty created by Fu Baoshi and Guan Shanyue as the theme,to pay tribute to the two masters and their epoch-making masterpiece in art history.This article describes the creation process of and thoughts on Ode to Mountains and Rivers,including the choice of the theme,composition and painting language,and explains how to use painting language to deal with the contradiction between historical authenticity and artistic authenticity that is reflected in this historical oil painting.

关 键 词：历史题材美术 艺术真实 傅抱石 关山月 江山如此多娇 

分 类 号：J213[艺术—美术]