20世纪50年代新年画与宣传画中的“识字扫盲”运动  

Literacy Movement Depicted in New Year Paintings and Publicity Paintings in the 1950s

作　　者：安永欣 An Yongxin(Central Academy of Fine Arts Library)

机构地区：[1]中央美术学院图书馆

出　　处：《美术》2024年第11期66-78,共13页Art Magazine

摘　　要：作为最具群众性的美术形式,新年画与宣传画的创作主题与当时的政策及政治宣传密切相关。本文以中央美术学院图书馆收藏的涉及文化教育内容的新年画及宣传画作品为研究对象,通过对作品的表现内容、形式、风格等综合分析,结合贯穿20世纪50年代的识字扫盲运动的丰富史料,可以看到作品创作数量的变化与识字扫盲运动高潮的对应关系,作品内容呈现的识字扫盲运动的发展情况,以及不同作品风格背后所蕴含的美术运动的背景,如月份牌年画的改造、新国画运动等,图史互证地呈现了识字扫盲运动题材的丰富内涵,以及新年画与宣传画在其中承担和成功实现的宣传功能。The theme of new year paintings and publicity paintings,which are the most popular forms of fine arts,is closely related to policies and political publicity of a certain period.This article comprehensively analyzes the content,form and style of new year paintings and publicity paintings regarding culture and education collected by Central Academy of Fine Arts Library.A combination of the analysis and a large number of historical materials of the literacy movement throughout the 1950s clearly demonstrates the relationship between the number of the paintings and the climax of the movement,the development of the movement depicted by the paintings,and the background of fine arts movement shown by different painting styles,including the transformation of new year calendar posters and the new Chinese painting movement.Paintings and historical materials manifest the rich connotations of paintings depicting the literacy movement and the publicity role played new year paintings and publicity paintings.

关 键 词：新年画 宣传画 文化教育 识字扫盲运动 

分 类 号：J218.1[艺术—美术] J218.3[历史地理—历史学] K27[历史地理—中国史]