“和平签名”图式的生成与传播——以新年画为中心  

The Emergence and Spread of the"Peace Signature"Schema:With New Year Paintings as the Center

作　　者：曹潇 Cao Xiao(the Collection Department,Central Academy of Fine Arts Library)

机构地区：[1]中央美术学院图书馆典藏部

出　　处：《美术》2024年第11期79-91,共13页Art Magazine

摘　　要：本文以中华全国美术工作者协会举办的1951年全国新年画展览会中的“和平签名”题材作品作为观察切片,回到1950年新年画创作语境中,探究其中邓澍的《保卫和平》何以突破图式“一般化”的倾向,并成为“和平签名”图式中典型的代表作。从中立足于“和平签名”题材年画创作的表现形式,通过题材、构图、形象和具体表现手法的对比,探索“和平签名”图式在新年画运动中的创作生成及其传播影响。其他作者的和平签名画作以及相似图像的泛化,也为观者观看1950年“和平签名”图式的生成和传播提供了多样化的解读路径。This article examines"peace signature"-themed paintings exhibited in National New Year Painting Exhibition held by China National Art Workers'Association in 1951,and based on the background of new year painting creation in 1950,explores how Deng Shu broke through common styles back then in creating Defending Peace,which became a representative painting in the"peace signature"schema.The article focuses on expression forms of"peace signature"-themed New Year paintings,and,by comparing themes,composition,images and specific techniques,explores the emergence,spread and influence of the"peace signature"schema in the New Year Painting Movement.Other paintings of this theme,together with a large number similar images,also provide visitors with various ways of understanding the emergence and spread of the"Peace Signature"schema in1950.

关 键 词：和平签名 新年画运动 邓澍 全国新年画展览会 

分 类 号：J218.3[艺术—美术] K27[历史地理—历史学]