17世纪古典主义美术的视觉修辞——以尼古拉·普桑为中心  

Visual Rhetoric of Classical Art in the 17th Century: Taking Nicolas Poussin as an Example

作　　者：胥恒 吴昌蒲 Xu Heng;Wu Changpu(College of Art and Design,Beijing University of Technology;School of Chinese Painting,Central Academy of Fine Arts)

机构地区：[1]北京工业大学艺术设计学院 [2]中央美术学院中国画学院

出　　处：《美术》2024年第11期129-135,共7页Art Magazine

基　　金：教育部人文社会科学研究青年项目《面向中国式现代化的大运河文化遗产数字叙事系统研究》(项目批准号:23YJC760129)的阶段性研究成果。

摘　　要：17世纪古典主义艺术家尼古拉·普桑长期致力于古代雕塑的研究,他将希腊雕塑奉为圭臬,由此提炼出“希腊手法”。普桑发现了希腊雕塑形式语言与姿态为人物形象赋予的道德劝说的力量,并将其运用于历史画创作。本文试图延续艺术史研究的修辞学传统,通过跨学科视角分析普桑美术创作中的视觉修辞手法,揭示绘画如何同话语一样具有道德劝服功能,以期更细致地解读古典主义美术中的视觉修辞策略与心理机制。The classical artist Nicolas Poussin of the 17th Century has long been committed to studying ancient sculptures.He regarded Greek sculptures as a fine example and extracted"Greek techniques"from them.He discovered the power of formal language and posture of Greek figure sculptures in moral persuasion and applied it to historical paintings.By carrying out the traditional rhetoric research in art history,this article analyzes visual rhetoric techniques in Poussin's artworks from an interdisciplinary perspective,and explains how painting plays the same moral persuasion role as communication,thereby offering a more detailed interpretation of visual rhetoric strategies and psychological mechanisms in classical art.

关 键 词：古典主义 视觉修辞 形式语言 道德劝服 尼古拉·普桑 

分 类 号：J205[艺术—美术] J305