当代漆画底层材料语言探索——以《千秋雪》等系列为例  

Exploration of the Underlying Material Language of Contemporary Lacquer Paintings:Taking the Everlasting Snow Series as an Example

作　　者：杨波[1] Yang Bo(School of Fine Arts and Design,Chengdu University)

机构地区：[1]成都大学美术与设计学院

出　　处：《美术》2024年第11期150-152,共3页Art Magazine

摘　　要：当代漆画从中国古代漆器的髹饰演变而来,须不断回溯漆画的源头,对传统漆艺进行梳理和研究,站在漆性的角度探讨传统漆艺材料的回归,在传统技艺中探寻当代表现的新语言。天然大漆是连接“传统漆艺”与“当代漆画”的媒介,不仅包含大漆材料技艺,也包含漆艺文脉精神,底层漆材料技艺与当代漆画语言表现在漆性及文脉上有着本质的联系。本文以作者创作探索为例,思考在恢宏主题叙事下发掘和探索底层材料语言的可能性,从材料语言、形式构成等角度出发,寻求主题叙事与底层材料物质属性、精神属性的契合。Contemporary lacquer painting is developed from lacquer on ancient Chinese lacquerware.Therefore,it is necessary to constantly trace the origin of lacquer painting,comb through and study traditional lacquer art,discuss the return of traditional lacquer materials from the perspective of the nature of lacquer,and explore new language on the basis of traditional techniques.Natural lacquer,a bond that connects"traditional lacquer art"and"contemporary lacquer painting",contains lacquer material skills,and,more importantly,the spirits of traditional lacquer art,meaning that techniques regarding underlying lacquer materials and language of contemporary lacquer painting are naturally connected when it comes to lacquer nature and traditions.This article takes the author's painting series as an example to think about the possibility of exploring underlying material language in grand theme-based narrative,and seek the connection between theme-based narrative and the physical and spiritual properties of underlying materials from the perspectives of material language and forms.

关 键 词：当代漆画 主题叙事 漆底层材料 

分 类 号：J213.9[艺术—美术]