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作 者:刘凡 王华民 赵先萌 LIU Fan;WANG Huamin;ZHAO Xianmeng
机构地区:[1]武汉纺织大学艺术与设计学院
出 处:《当代美术家》2024年第6期73-92,共20页Contemporary Artists
基 金:国家社科基金艺术学项目“16-19世纪中国瓷器在墨西哥的传播与影响”(项目编号:23BG113)阶段性研究成果。
摘 要:明清时期(14至19世纪)是中国瓷器发展史的黄金时代,这一时期的瓷器因其精湛的工艺、丰富的品种和广泛的影响力在全球享有盛誉。尽管有关这一时期瓷器的研究成果丰富,但在成果分享和观点交流方面,研究呈现出分散和断裂的现象。因此,本综述旨在对明清瓷器的研究现状进行一次全面而系统的梳理和分析,以期为未来的研究提供有价值的参考。本研究涵盖了中外以明清瓷器为研究对象的158篇核心文献。研究发现,中外在明清瓷器研究方面存在显著差异。国外研究倾向于关注瓷器的化学成分或溯源问题,而中文文献则更侧重于纹饰研究。此外,地域偏向也是一个显著特点,几乎所有技术实证性研究都以景德镇瓷器为对象,针对其他地区的研究较少,且以青花瓷为主要研究对象。最后,瓷器研究普遍采用传统方法,而在文物修复和GIS地域分析等领域的应用则相对较少。The Ming and Qing dynasties(from 14th to 19th centuries)mark the golden era in the history of Chinese porcelain development.Porcelains from this period are renowned globally for their exquisite craftsmanship,diverse varieties,and extensive influence.Despite the rich research achievements in this area,there is a scattered and fragmented phenomenon in terms of sharing research outcomes and exchanging viewpoints.Therefore,this review aims to provide a comprehensive and systematic analysis of the current research status of Ming and Qing porcelains,with the intention of offering valuable references for future studies.The study covers 158 core literature pieces that focus on Ming and Qing porcelains from both Chinese and international sources.The findings reveal significant differences in the research approaches between China and foreign countries.Foreign research tends to focus on the chemical composition or provenance of porcelains,while Chinese literature emphasizes the study of decorative patterns.Additionally,regional bias is a notable characteristic,with nearly all technical empirical studies focusing on Jingdezhen porcelains,while research on other regions is limited and predominantly centered on blue-and-white porcelain.Lastly,traditional methods are predominantly used in porcelain research,with relatively few applications in fields such as cultural relic restoration and GIS regional analysis.
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