“乡愁乌托邦”的祛魅叙事——论黄锦树和他的马华文学  

The Disenchantment Narrative of“Nostalgia Utopia”-Discussion on Ng Kim Chew and His Malaysian Chinese Literature

作　　者：骆江瑜 LUO Jiangyu(School of Chinese Language and Literature,South China Normal University,Guangzhou,Guangdong Province 510006)

机构地区：[1]华南师范大学文学院,广东广州510006

出　　处：《楚雄师范学院学报》2024年第6期82-89,共8页Journal of Chuxiong Normal University

摘　　要：黄锦树对原乡神话的警惕使他跳出“故国三千里”的思乡之情和“乡关何处”的弃儿心态,以坚实的本土认同和深情地在地书写指向马华族裔深层的文化心理——落叶生根,祛“乡愁乌托邦”之魅。从南洋风物的复刻到文化心理的回溯,从重振华语文学到重塑家国想象脉络,黄锦树作为新生代的代表人物,积极革新马华文学,呈现出与前生代、中生代决然割裂的先锋姿态。在写作技巧和表现内容上大胆进行再造,坚持地域书写,重塑文化心理,在马华文学的现代性转型中取得了不容忽视的成果。Alert to the myth of his hometown,Ng Kim Chew jumps out of the homesickness of“three thousand miles of the homeland”and the outcast mentality of“where the hometown is,”and points to the Malaysian Chinese ethnic group,with a solid local identity and affectionate local writing,the deep cultural psychology of the descendants-removing the charm of“Nostalgia Utopia”like leaves taking roots wherever they fall.From the reproduction of Nanyang scenery to the retrospection of cultural psychology,from the revitalization of Chinese literature to the reshaping of the family and national imagination,Ng Kim Chew,as a representative of the new generation,has actively revolutionized Malay-Chinese literature,showing a pioneering attitude that is resolutely different from those of the previous generation and the middle generation,and boldly reengineering the writing techniques and expressive contents while adhering to the regional writing and reshaping the cultural psyche,thus attaining achievements that cannot be neglected in the transformation to modernity of Malay-Chinese literature.

关 键 词：马华文学 乡愁乌托邦 祛魅 黄锦树 

分 类 号：I338.074[文学—其他各国文学]