突破与回归 传统与革新——20世纪法国文化思潮对歌剧叙事与音乐的重塑  

Breakthrough and homecoming,tradition and innovation——How 20^(th)-century French cultural trends reshaped operatic narrative and music

作　　者：王雅宁 

机构地区：[1]上海音乐学院

出　　处：《歌剧》2024年第11期68-77,共10页Opera

摘　　要：20世纪的法国歌剧经历了丰富的变化和发展,歌剧创作呈现出多元化的发展趋势,既保留了传统,也融入了现代主义和其他创新元素。在20世纪初期,法国歌剧仍深受浪漫主义的影响,以卡米尔·圣-桑(Camille Saint-Saëns,1835-1921)和儒勒·马斯内(Jules Massenet,1842-1912)为代表的作曲家创作的歌剧作品深受大众的喜欢。OUTLINE/On the occasion of the 60^(th) anniversary of the establishment of diplomatic relations between China and France,Opera magazine institutes a column that tracks historical development of French opera,captures its historical charm,and appreciates its stylistic evolution in the hopes of more cooperation and exchange in the field of culture and art between the two countries.

关 键 词：法国歌剧 传统与革新 马斯内 歌剧作品 歌剧创作 文化思潮 创新元素 浪漫主义 

分 类 号：J83[艺术—戏剧戏曲]