陶瓷纹样在服装设计中的应用探究——以磁州窑牡丹纹为例  

Exploration of the Application of Ceramic Patterns in Fashion Design:A Case Study of the Peony Motif from the Cizhou Kiln

作　　者：王紫妍 WANG Ziyan(Qinghai Normal University,Xining 810008,China)

机构地区：[1]青海师范大学,青海西宁810008

出　　处：《西部皮革》2024年第20期95-97,共3页West Leather

摘　　要：通过文献研究、案例分析和设计实践,文章探究了磁州窑牡丹纹样的发展概述、审美特征、呈现方式以及与服装设计的结合。陶瓷纹样在服装设计中的应用不仅仅是简单的复制粘贴,而是需要更加深入的了解纹样背后的深层含义,进而使陶瓷纹样元素中的图案结构、色彩运用能更好地与服装设计融为一体,最终实现陶瓷纹样与服装设计共同传承与发展的价值意义。Through literature review,case analysis,and design practice,this paper explores the development,aesthetic characteristics,presentation methods,and integration of the Cizhou kiln's peony pattern into fashion design.The application of ceramic patterns in fashion design transcends mere reproduction;it necessitates a profound understanding of the deeper meanings embedded in these patterns.This enables the structural design and color utilization within the ceramic motifs to seamlessly merge with fashion design,ultimately realizing the shared legacy and developmental significance of both the ceramic patterns and the fashion designs.

关 键 词：磁州窑 牡丹纹 服装设计 传承与发展 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程] J527.9[艺术—艺术设计]