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作 者:張民權 趙凱雯 Zhang Minquan;Zhao Kaiwen
机构地区:[1]南昌大學人文學院,南昌330031 [2]上海交通大學人文學院,上海200240
出 处:《文献语言学》2024年第2期18-43,231,232,共28页
摘 要:盛世之下,宋本《廣韻》現存很多,隨着中外關係的發展和完善,一些海外珍貴的《廣韻》善本漸爲國内學者所知,比如日本國内所藏各種宋本和元刊本等,這爲我們全面研究《廣韻》及其版本問題,提供了極大的方便。但以往由於韻書材料的缺乏,有些研究還不夠全面和深入,有重新梳理之必要。本文改善研究方法,調整研究視野,从板式和韻字注釋等方面,對現存國内外《廣韻》做了比較全面的比勘,以揭示現存諸多《廣韻》版本的歷史來源及其版本性質問題。研究發現,現存《廣韻》不僅存在繁簡兩種,還分爲“南北”兩系。北系者,詳本中鉅宋本和巾箱本、楝亭本和《四庫全書》本《重修廣韻》等,還有元明節本《廣韻》等;南系者,南宋監本韻書以及澤存堂本《廣韻》等。本文或有助於廓清學界《廣韻》版本研究中之是非問題。At present,there are many existing Guangyun in the Song Dynasty.With the development of Sino-foreign relations,some precious overseas rare books of Guangyun are known to domestic scholars.For example,various versions of Guangyun collected in Japan in the Song and Yuan Dynasties gradually spread to China.This provides great convenience for us to comprehensively study Guangyun and its version.However,in the past,due to the lack of rhyme books,some studies are not comprehensive and in-depth.So it is necessary to reorganize them.This paper makes a comprehensive comparison of the existing Guangyun at domestic and abroad from the format style and rhyme notes,and preliminarily clarifies the version problems that have not been solved or easily confused in academic circles in the past.We think that the Guangyun is not only divided into detailed and simple,but also divided into north and south systems.Starting from the comparison of the format style of Guangyun,this paper sorted out the status of the literature version of Guangyun in the Song Dynasty, andthen examines the engraving and collation of the Song edition in the Qing Dynasty. It may behelpful for the current study of Guangyun and clarify the right and wrong with the study ofthe version of Guangyun.
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