后殖民与后现代的杂糅——萨尔曼·拉什迪小说的身体解读  

The hybrid of postcolonialism and postmodernism A body interpretation in Salman Rushdie’s novels

作　　者：刘春娴 LIU Chunxian(School of Foreign Languages,Guangdong Medical University,Dongguan 523808,Guangdong,China;Graduate School,Xi’an International Studies University,Xi’an 710128,Shaanxi,China)

机构地区：[1]广东医科大学外国语学院,广东东莞523808 [2]西安外国语大学研究生院,陕西西安710128

出　　处：《河南理工大学学报（社会科学版）》2024年第6期33-39,共7页Journal of Henan Polytechnic University:Social Sciences

基　　金：广东医科大学本科教学质量工程与教学改革项目(1JG23149);广东医科大学百项青年项目(GDMUD2023011);广东医科大学青年科研培育基金项目(GDMUQ2022043);西安外国语大学研究生科研基金项目(2023BS026)。

摘　　要：萨尔曼·拉什迪在文学批评界被称为后殖民文学教父和后现代主义文学大师。流散的身体体验塑造了拉什迪的文学创作。隐身的身体、受伤的身体和他者化的身体构成了文学文本深层的身体现象,呈现了拉什迪的文本政治观。文学身体想象和修辞以残缺的身体、魔幻的身体、被消费的身体为表征,再现了后现代文学叙事之风。文章从后殖民文本和后现代叙事两个谱系解读拉什迪的小说创作,认为身体书写是拉什迪政治意识和文学姿态诗性糅合的文本策略。Salman Rushdie is the godfather of post-colonialism and the master of post-modernism in the literary criticism.The experience of diaspora contributes to Rushdie’s literary writing.The body images that characterize the text include invisible body,injured body and the body of otherness,presenting Rushdie’s textual politics.The imagination and rhetoric of literary body feature on the fragment body,magic body and the consumed body,representing the postmodern literary narrative.The paper interprets Rushdie’s novels from the perspectives of postcolonial texts as well as postmodern narrative,and con-cludes that body writing becomes a textual strategy that poetically combines Rushdie’s post-colonial ide-ology and post-modern writing style.

关 键 词：后殖民文本 后现代叙事 拉什迪 身体 

分 类 号：I106.4[文学—世界文学]