曾燠及“题襟馆”诗人与嘉道之际的地域诗风  

Zeng Yu,the Poets of the“Tijin Studio,”and Regional Poetic Styles in the Jiaqing-Daoguang Period

作　　者：龙野 童宇杰 LONG Ye;TONG Yujie(School of Humanities,Nanchang University,Nanchang 330031,China)

机构地区：[1]南昌大学人文学院,江西南昌330031

出　　处：《南昌师范学院学报》2024年第5期25-32,共8页Journal of Nanchang Normal University

基　　金：国家社科基金一般项目“明末清初江右文人群体研究”(22BZW102)。

摘　　要：曾燠是清中期江西籍重要的官员型诗人、文学编选家,他在担任两淮盐运使期间于扬州开设“题襟馆”,提倡风雅,对清代中后期东南诗坛产生了重要影响。曾燠及“题襟馆”诗人的诗歌以六朝三唐为主,并适度取法江西诗派,呈现出熔铸唐宋的面貌。这种取法六朝三唐及江西诗学传统的宗尚是曾燠试图融合江左、江右地域诗风的有益尝试。曾燠及“题襟馆”诗人取法六朝诗风,受扬州等地诗学传统的影响较大,有助于改变嘉道诗坛片面宗宋流于粗豪、俗滑的不足。对于诗坛更好地接受唐宋诗传统,走向健康发展的道路也有助益。Zeng Yu,an influential mid-Qing dynasty poet-official and literary anthologist from Jiangxi,established the“Tijin Studio”in Yangzhou during his tenure as Salt Transport Commissioner for the Lianghuai Region,where he promoted refined poetic tastes that significantly impacted the poetic circles of southeastern China in the mid-to-late Qing dynasty.The poetry of Zeng Yu and his circle at the Tijin Studio primarily drew inspiration from the Six Dynasties and the Tang,while also incorporating elements of the Jiangxi poetry school,resulting in a style that blended the essence of the Tang and Song traditions.This adoption of Six Dynasties and Tang poetic traditions alongside Jiangxi literary aesthetics represented Zeng Yu s attempt to harmonize the poetic styles of Jiangnan and Jiangxi regions.Influenced by the poetic traditions of Yangzhou and surrounding areas,Zeng Yu and the Tijin Studio poets helped to counter the narrow focus on Song Dynasty models in the Jiaqing-Daoguang poetic milieu,which often led to excessive crudeness and vulgarity.Their efforts also facilitated a more balanced reception of the Tang and Song poetic traditions,promoting a healthier development of the poetic milieu.

关 键 词：曾燠 “题襟馆” 嘉道之际 地域传统 六朝诗风 

分 类 号：I222[文学—中国文学]